Tuesday, January 27, 2009

Learn about a piece of Malaysian History


Dear All, here is a sypnosis of a book which will be released soon by Mr.Louis A. Vincent. Quite an interesting narrative journey which illustrates the common lives related to the Malayan Railway from the turn of the century. Please pass the word around.


Here it begins.


"PROLOGUE: MUST EVERY ‘WHY’ HAVE A ‘BECAUSE’?



When I first mentioned writing a book to friends, their initial reaction was: “Well, ok, but why on the subject of a railway? Who is going to read it? It will be such dry stuff; all about trains!”

Well, for a start, I am a third generation railway descendant from both sides of my family. With such a long affiliation to the Railways, I was pretty sure that somewhere round the corner, there definitely was a railway story just waiting to be told. But even more important than that was what happened during my life in the railway districts. And I spent almost nine years in three railway districts. No matter how much care you take, things like track washouts due to floods, derailments and delays do happen. More so in a single-line system such as the one we had here for the best part of our 120 odd years as a railway. On a single-line system, incidents such as these have a snowball effect and result in delays until they are sorted out.

During such occasions when restoration works take some time, it would be perfectly normal to transship passengers between the affected areas by bus, or hold up the train at some station. On occasions such as these, the situation at the rail stations where the transshipment or train detention takes place, would appear seemingly chaotic. You will find people who seem lost, and parents harassed by small children. Everyone would be wondering, “Okay, where do we go now?”

At such times you often hear remarks like, “You know, these people have been running the railways for almost a hundred years and yet they do not seem to have got the hang of it! It is still the same story all over again! When will they ever improve?”

Every time I attended a function outside the Railways [and on time, mind you!], I would hear a remark like, “Ah, that railway fellow is on time for once!” When on the rare occasion you did arrive late, then the other remark would be, “You railways fellows are always late!” It was ‘heads I win, tails you loose’! You never won; the dice somehow always fell on the wrong side of the divide!

At times like that, I used to tell myself that there was so much more to the Railways than just these occasional mishaps and delays. For a third generation railwayman like me, the railway was a way of life with its own culture and practices. There are some things about the Railways that very few people know or have even heard of. Not many know that railway salaries were for a long time paid from a traveling pay train, complete with its own armed police escort and armor-plated pay coaches. The officer in charge of a pay train had his own accommodation and food provided on board the train from start to finish of the entire payment process. And this usually lasted about five days! At one time, the escorts on board these pay trains were also from the Railways’ own police force. Yes, we did have our own police contingent operating between the inter-world war years! The police force was recruited and paid for by the Railways. The food at a derailment site for the workers always comes from the mobile kitchen coach on a ‘breakdown’ train! And not many people are aware of the ‘dead-man’s safety pedal’ on a locomotive that would automatically bring a train to a stop if a driver [God forbid] should keel over dead or unconscious. Or that a large amount of the coal that was used on the steam locomotives of our Railways from the very early days, came from our very own colliery at Batu Arang. We had trains daily just to haul the coal from the coalfields. And then, there was the ‘Sodthi Express’ between the Sentul and KL stations to ferry railway workers. This workers’ train ran a distance of four miles, made three stops on its run and was dubbed an express! I wonder why? These are things that the public today may not be aware of. They are scenes from an era long since gone but still fresh in the minds of an ever-dwindling band of old, retired railwaymen.

During train delays, invariably newspapermen would be hovering around, wanting to know the cause of the incident. It was the only issue of overriding importance to them about the Railways. The cause! The cause! Can we know the cause, please? The rest was secondary. Wanting to know the cause may have been very important to them but to me, giving the ‘line clear’ for the trains was first priority. Giving early ‘line clear’ would also ensure that the wrath of my boss, the ATMO [assistant traffic manager, operations], did not fall on me! I remember telling them on a number of occasions, “Why don’t you guys write about how the rehabilitation work is going at the spot to restore services? At least that would give some degree of balance to your coverage.” But no, that hardly ever happened. On the next occasion, it would be the same question again. “So, Mr. Vincent, could you tell us the cause for this?” When you said that it was still being investigated [and in all honesty, it was], they would respond by saying, “Don’t worry Sir, we’ll not quote your name. We’ll just say that it is from a reliable source! We will not reveal the source. Besides, Sir, this is a matter of public interest.”

It was then that I promised myself that when I had the time, I would sit down and write about the romance, glamour and camaraderie [and also the work stress, heartaches and rebukes from the boss] of my Railways! With retirement from the Railways just round the corner, it seemed as good a time as any to be fulfilling that promise. But the decision to do so was easier said than done! When I started on this in December 2004, it was a very simple decision because I knew exactly what I wanted to do. But as time went by, I felt that I had got myself into more than what I had bargained for. There was always that extra and usually elusive bit of information that was needed to fill up some glaring gap in the story! And that was when the problems started. Information was difficult to come by, and when it did, it was also confusing and contradictory. I started to wonder if I had taken on more than I could chew. But ego being what it is would not allow me to quit! By then, the idea of wanting to write this book had become an obsession. Besides, I had told some close friends that I was writing a novel of railway life. To tell them otherwise would have made my life a little unhealthy! Some would have hounded me all the way to my grave! So, what you find in this book is the result of some perseverance.

At the outset, I must make it clear that this is not a history of my Railways or a need to apologize for some shortcomings. History books are for historians, I am not one. About the only chapter that could be termed as totally historical would be the first chapter. This is a railway story and a historical background of its origins would allow for a better appreciation of the story. If you are not a history purist, you could safely skip that chapter and be none the poorer for it. This ‘first person’ narration is naturally the voice of being part of a sprawling railway community that is now almost 120 years old. In the process of writing it, I have however provided some historical background and footnotes to some of the subjects that I have covered in my book. Some readers may not be from here or, they may want to know some basic background as a matter of interest. To them, these small historical notes may prove helpful. In providing them, I have also not taken any interpretative position on those issues. Nor have I consulted any acknowledged ‘authorities’ for that matter. They are as they appear in most basic history books. In the final analysis, whatever historical background given is also extremely brief.

I have however, consulted a lot of railwaymen [some serving but mostly retired] on a number of aspects, and a lot of what is written here can only be termed as their collective and combined wisdom. Since nothing very substantive is available about what it means to be living and working in a railway community in this country, their recollections and experiences would be the most authoritative and reliable. Where I have speculated, I have mentioned it as such.

Most of what I have written took place within my own lifetime and service; either that or I got to know of them in conversations with relatives, friends and colleagues. A large part of the lifestyle I write about has now vanished into oblivion! Even as a railwayman, I experienced a lot of difficulties in getting the information. People who had worked in the railways when I was a boy were no longer around. They could have provided some information for verification purposes. But their own ‘shelf-life’ on this earth had expired and they had gone to be with the Maker! My father, signalman Joe, would also be one of them. Wherever he is now, I hope he does not find too many inconsistencies in this book or I may have hell to pay when I eventually catch up with him [and the rest of my relatives who served in the Railways] in the next world!

In a sense, therefore, parts of my narration may be incomplete or incorrect. I hope someone later on would fill those gaps. What I did was to put into story format what I and some people would have gone through. Given the age of the Railways, you may not necessarily have gone through some of the practices mentioned here. Your view of them may also have been different, simply because you may have experienced them at a different time. All this I gathered when talking to old railway acquaintances whilst researching for this book.

Certain facts however have to be accepted. First and foremost, Malayan Railways exists and that is a fact. The way it operates is more or less as narrated here. Dates and places, wherever they are quoted, are all real. But the liberties that I have taken in writing stories based on those facts are however, mine alone. Railway systems the world over rely on rules and regulations to govern the safe working of trains. These take on an added significance when the system is of a single-line system. Things can and do go wrong when they are overlooked or ignored. Operational shortcomings mentioned in some of the narration in this book should not be taken as reflective of any error or omission committed by the Railways but rather, serves to indicate what can happen when those procedures are flouted, ignored or simply just taken for granted by the staff.

In my narration, references made to people who taught me this or asked me that, should not be taken at face value to mean some real person. They were merely conduits in making possible my storytelling. In writing this book, I have taken a narrative style. This in no way means that this is an autobiographical work. It is not. It is just that I found this style of storytelling to be the most comfortable way of getting my story across. Some incidents are based on personal experience but not all of them. The story is supposed to give an idea of what it meant to live, grow up and work in a railway community. The narration remains faithful to those objectives. The greater part of my life has been spent living within, or within sight of, a railway facility. As a child growing up in the Kuang railway quarters in the 1950s and early 1960s, the Batu Arang branch line’s ‘down’ home signal post [which governs the entry of trains from Batu Arang into Kuang] was a permanent sight outside our window. My father’s signal cabin at Kuang was our daily playground. As an adult working in the railway districts, I was never far from the sound of a train or sight of a rail track. Looked at from that perspective, I felt I had a unique opportunity to tell a railway story. And this is that story.

Some of the words used in this book may not be acceptable in this age of political correctness. It is not meant to offend. Rows of long, barrack-like structures that housed the lower-grade staff were then called coolie lines but that same term today would be frowned upon. But those were words and phrases in vogue then. Replacing them with today’s acceptable phrases may change the voice of the story and I did not want to do that. So I have used them. Forget those words as giving any offence. Don’t loose track of the train story because of the words!

Lastly, about the title for the book: Signal Right, Line Clear! These two terms would be very familiar to many a railwayman anywhere. They are universal railway terms. On any signal post, its position would be the first thing that a driver and his fireman [assistant] would spot from their locomotive’s driving cab. Here, it has always been the practice for the fireman to shout the position of the signal to the driver. Exclaiming, “Signal right!” to his driver would indicate that there is a green or go aspect for the train to run through. ‘Line clear’ to a railwayman indicates that the ‘block section’ ahead is clear and that the necessary signals have been lowered to the go position for a train to proceed. This is a story of a railway life and these phrases would be apt to describe it.

The cover picture showing the north-bound day mail to Prai [train number 2 Up] on Kuala Lumpur Station’s Platform One very vividly portrays this image. The picture appears in the 1956 Annual Report of the Malayan Railways. Some sources have labeled it as having been taken in 1950. Be as it may, the picture shows the train’s locomotive standing just past Kuala Lumpur Station’s ‘up’ [northbound direction] starter signal post on Platform One. It will also be observed that the starter signal has been lowered [to the off position in rail jargon] for the train to commence its journey. The train is being worked by an O-class steam locomotive, numbered 56418. Based on Malayan Railways’ locomotive register, its name would be Seletar. The absence of heaped coal and the presence of the metal cover on the tender would indicate that the locomotive is an oil burner [it no longer burns coal in the firebox to create the steam]. It may interest the reader to note that this picture was also featured as a miniature sheet in the Malaysian Postal Department’s first-day cover to commemorate the centenary celebrations of the Malayan Railways in 1985.

Each chapter can be read as a story in itself. Though I have arranged the chapters in chronological order, one could still read each chapter in any random order. I feel it is not a requirement to read an earlier chapter to understand the following chapter. I hope you will all enjoy reading about my Railways, and some of the long-forgotten trains that ran over rail tracks that may no longer exist today; about a way of life that is also no longer around! The writing of this book has taken me almost four years but I still somehow feel that it is incomplete! "




Vincent,
Bandar Country Homes,
Rawang, Selangor, Malaysia.
July 2008.

Sunday, October 12, 2008

SKYPARK SUBANG TERMINAL


Kinda like to share a project which is close at heart. A built resource scheme using adaptive reuse to bring life back to a derelict feature of Malaysian Architecture. I just want to say my peace in this blog. I am really dismayed with the one responsible for the demolition of the Subang Airport Terminal of 1965. This was a proud landmark of a new nation then and i am lucky to say that i have fond memories of this. This Airport design was one of the influence in my architectural career. This was the airport where brought my bride home from abroad.




As to raise a point from my final year project " in order to bring down a structure of significant value due to economic reason, a worthy or greater replacement must be erected in it's honour"


Well, since my design is not an actual replacement of the same site but this will be a catalyst for new magnificent structures in that area begining with ours.


Here is the excerpt write up for the project for the press releases :




Kamal Hussin Abdul Hamid, project director of Arcradius Sdn Bhd, together with architect Khairul Anwar of KASDA have conceived a scheme to revive the original airport by a complete redevelopment of the interior architecture, creating new mezzanine levels and providing substantial additional space for retail and F&B outlets together with new banking facilities, commercial offices, check in and satellite departure facilities.



Kamal elaborates that the whole scheme concept is based on the dire need for adaptive reuse of the current build resource of Subang Terminal 3.
"Revitalisation of this air terminal is required not only for economic reasons but also for the enhancement of aerospace architecture to follow-suit work done to other Malaysia airports," said Kamal.
Arcradius Sdn Bhd had developed a scheme to retain the existing fabric enclosure of the 150,000 square-foot terminal – by "building boxes in a box" while transforming the interior, which could no longer accommodate the new airport operational needs. The design works from the interior towards the exterior as the new internal usage takes precedent in terms of creating the commercial-like environment instead of being only an airport.
"It's an idea of not taking things for granted," said Kamal.
"In the main terminal, spaces are rearranged by consolidating and creating new mezzanine planes opening into a well-lighted two-storey single volume atrium as an internal garden conservatory. Suspension cables hang from the atrium's metal ceiling and support a huge sinuous suspended ceiling enhanced with fibre optic lighting producing a starry night effect," added Kamal.
"The main intention is to refurbish the existing area into a lounge that spells out comfort and rest, while preparing passengers for departure and pleasantly receiving them on arrival."
Visitors will enter a lobby that is surrounded by terrace balconies separating the retail ground level and the office level on the mezzanines that are reached by open concrete and glass staircases. The splendour of the local tropical theme is brought into the space by using light warm colour on the materials.
The modernity of the commercial aspect can be seen in the use of strong based material as glass and metal interwoven throughout the solid interior walls providing a mall ambience.
Mezzanines are linked to each other by open staircases and surrounded by glass terrace balconies overlooking the atrium, creating a gallery-like ambience. The interior architecture creates an imaginative and invigorating workspace and updates a historic building to suit modern retail and office requirements.
Also situated in the present Terminal 3 of the Sultan Abdul Aziz Shah Airport, is the SkyPark Fixed Based Operation Lounge that has been suited in a full scale fit out as an adaptive reuse of the previous design.
The main entrance of SkyPark FBO Malaysia is enhanced with a proposed portico of a grand scale canopy. Then, the space shall receive the guest via a spacious lobby and where the reception is the first pleasant contact point. The theme is played with a contemporary local design by using water feature and wall feature. The reception area also facilitates a luggage room and a business centre complete with discussion and meeting rooms.
The reception opens out into a large lounge with a private room attached. The service areas are lined along the parameter wall to optimize the space. Subtle and cosy lounge seating is provided in the area for the comfort of guests, complete with ornamented plaster ceiling design.
"This modern tropical theme fits seamlessly into this industrial-like building where a previous double volume hanger can be transformed into multi purpose spaces. Enhanced comfort to cater for future airport volume has been considered in the provision of upgraded ventilation and electrical system," said Kamal.
The new interior shall provide a single volume space with fresh light interiors. The design layout focuses on the customer journey and convenience of the passengers from point of arrival, check-in, retail shopping, F&B until they proceed through to the departure satellite.

Friday, July 18, 2008

Frank Lloyd Wright Houses


I was in the States last month on business and a second honeymoon with my beloved. It had taken us to NYC, Chicago, LA and transit in Tokyo for couple of days. It was in Chicago that I had a epiphany and reminder why I read Architecture. This is where Frank Llyod Wright started his career, experiences tragedy and became an Icon. We went on a tour of the houses he designed but nothing were as inspring of that of Robie House and his studio house in Oak Park. The journey to Oak Park personnally was wonderful as I walked along rows of shimmering trees with my precious companion.

The hit on the head was seen as how much we stray from good design. Basic geometry and designing from the heart is what that makes an Architect an Architect. I feel for all these years practicing is merely being labled a prostitute. (Watch the King Vidor movie - "The Fountain Head") Then you know what I mean.

Read up again the Man's philosophy and design good architecture.

Monday, May 19, 2008

My Pahang Roots

Temerloh, that is. It is where my dad's family originated. An island in the marshes called Bukit Segumpal, Chenor,Temerloh. Surrounded by the mighty Pahang riverine like a great serpent sinously gripping the earthscape. Just a couple away from Kuala Lumpur, Temerloh used to be and still is known as the Sawmill Town. But with additional captions, the Patin Capital Of the World and the birth place of a songstress Siti Nurhaliza.
Well anyway, it is the birth place of my dad at Padang Lalang, brought up in Kg. Awah and even worked as a estate apprentice/cadet before he went off to further his studies. His grandmother Nyang Lembek is buried. It's where his parents met and where my relatives still lives.
I shall update the history of my father and also Temerloh, just to commence on family history of my Pahang roots.

Sunday, April 20, 2008

Energised





The past 5 months seemed a long journey. Works and acqusitions of new projects has taken the sapping of energy. I had to take a break. Where to none other than the land of Thousand Temples. Siam. Chiang Mai specifically for the Songkran water festival. It's also the Thais new year. The place is quaint yet beautiful and lots of places to sight see. The second largest city is square bounded by a moat which was used to fend off marauding Burmese in the north. The old city is as if swallowed by the new. Loads of eatery serving local Thai and International delicacies. Dont forget the spas - loved the Let's Relax - been to all except the one in Pattaya. A bliss. Night life is the Night Market and the numerous watering hole. The people are friendlier than the Thais of the south. This trip confirmed that all maidens from Chiang Mai are beautiful and friendly. Wanna go again.

Songkran festival - splashing of water, such a smashing couple of days of solid fun with the ultimate water blaster. Look at these photos.

smashing good show.

Wednesday, December 12, 2007

Kaulah Satu Satu nya


I had to jot his down before I sleep tonite, trying to conserve this memory within the subconscience. I met Sheila Majid tonite. and Please write something good, tomorrow.

From a teen in 1985 to a middle age with residing hairline, Sheila you are still top. You are forever my Malaysian Idol.

I was standing,swaying, singing and salute in awe at the Titanium launch tonite. 5 feet away. never before in all the concerts i have attended from PWTC to Royal Holloway, London have I ever stood that close. That had made my day.

And now it's " tidurlah sayang, pejamkan mata mu manja" -for me lah....goodte naben.

Sunday, October 14, 2007

The Fast Is Over

After a moon of observing the Ramadhan fast, we celebrated Eid Mubarak. Began with prayer and sermon about the greater good. A feast was held with family and friends giving and receiving love and gratitude. It was a triumph for self control and preserverence. Then comes the long leave and time to contemplate. Images to come.